Gershwin Theater, 222 West 51st Street, (212)307-4100. M., Jazz Gallery, 290 Hudson Street, at Spring Street, South Village, (212)242-1063; cover, $15. 'THE INTELLIGENT DESIGN OF JENNY CHOW' In Rolin Jones's fanciful comedy, playfully directed by Jackson Gay, a lonely young woman in California embarks on an ambitious science project to help conquer her agoraphobia and trace her origins in China. Prey for the devil showtimes near clinton 8 theatre showtimes. In the shady black markets and bombed-out hovels of post–World War II Tokyo, a band of prostitutes eke out an existence, maintaining tenuous friendships and a semblance of order.
June Kelly, 591 Broadway, SoHo, (212)226-1660, through Oct. (Johnson). New Vision Theatres. Prey for the devil showtimes near clinton 8 theatre movies in clinton ia. Whatever the reason, the Killers are the pop smash of the neo-New Wave boomlet. George Bernard Shaw's breezy, delightful dramatization of this classic fable—about a Christian slave who pulls a thorn from a lion's paw and is spared from death in the Colosseum as a result of his kind act—was written as a meditation on modern Christian values. Dodger Stages, 340 West 50th Street, Clinton, (212239-6200.
Though she went on to create a string of brilliant films, Jane Campion will always be remembered for her stunning debut feature, _Sweetie, _ which focuses on the hazardous relationship between the buttoned-down, superstitious Kay and her rampaging, devil-may-care sister, Sweetie. In this acclaimed adaptation of the novel by legendary Southern writer Flannery O'Connor, John Huston brings to life a world of vivid, poetic American eccentricity. Dick Valentine can howl with the best of them, but it remains to be seen whether lineup changes will affect the high energy level. Q&As with Simon Liu, Alexandra Cuesta, and Pablo Mazzolo on Oct. 8 & 9. Des McAnuff directs (2:30). A landmark of Black and American independent cinema that would send shock waves through the culture, Sweet Sweetback's Baadasssss Song was Melvin Van Peebles's second feature film, after he walked away from a contract with Columbia in order to make his next film on his own terms. Tibor de Nagy, 724 Fifth Avenue, at 57th Street, (212)262-5050, through Oct. 8. Hailed by film critics around the world as the greatest screen adapation of Victor Hugo's mammoth nineteenth-century novel, Raymond Bernard's dazzling, nearly five-hour _Les misérables_ is a breathtaking tour de force, unfolding with the depth and detail of its source. Gold stars all around. GQT Willow Knolls 14. This breakthrough formal experiment is the first film the director made in New York. It is also perhaps her unlikeliest project: a star-studded comic fantasy with an extravagant sense of style and an adoring but slightly off-kilter perspective on the magic of filmmaking. 'SIDES: THE FEAR IS REAL' This hilarious collection of sketches may send up familiar targets -- the insecure thespian, the fraudulent acting teacher, the arrogant Juilliard grad -- but since it's performed with such specificity and comic charm by actors firing on all cylinders, you won't care a whit.
The concluding chapter of Michelangelo Antonioni's informal trilogy on contemporary malaise, L'eclisse tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another (Alain Delon). Stefan Stux Gallery, 530 West 25th Street, (212)352-1600, through Oct. (Smith). Based on a popular novel by Raymond Queneau that had been considered unadaptable, Malle's audacious _Zazie dans le métro, _ made with flair on the cusp of the French New Wave, is a bit of stream-of-consciousness slapstick, wall-to-wall with visual gags, editing tricks, and effects. Louis Malle called his gorgeous and groundbreaking _Phantom India_ the most personal film of his career. 'SWEENEY TODD' Previews start Monday. 1 million worldwide, according to Collider. This weekend's features, all starring Jack Lemmon, are the newspaper comedy "The Front Page" (1974); "The Apartment, " Wilder's Oscar-winning satire about workplace affairs; and "Irma La Douce, " a farce about a prostitute and the gendarme who loves her.
His pictures of the American war in Vietnam, which make up a substantial part of this show, amount to one of the great tragic portraits of their time, and are required viewing in ours. Hailed by the _New York Times_ on its Paris release as "one of the great films in motion picture history, " Raymond Bernard's _Wooden Crosses_, France's answer to _All Quiet on the Western Front_, still stuns with its depiction of the travails of one French regiment during World War I. Chaplin is the sweet innocent, Keaton the stoic outsider, but Lloyd—the modern guy striving for success—is us. From these simple elements, the inspired London-based Improbable troupe maps a funny, melancholy and altogether entrancing journey into a land of dreams, warfare and actorly neurosis. Ukrainian animators rebuilt their industry after the second world war and made Kievnauchfilm one of the most distinguished animation studios in the world. In fifth place was "Halloween Ends, " which eked in over $1. In one photograph his long, bony leg dangles disembodiedly over the stern of a broad-bottomed rowboat against a backdrop of lake, sky and firs; in another the soles of his feet appear magically in the branches of a tree, shot from below, the broad distortion of the feet concealing the body attached to them. Austria's Oscar Entry. They love the ladies but really and truly, cross their cheating hearts, just want a nice girl to call wife. American Airlines Theater, 227 West 42nd Street, (212)719-1300. Charlie Chaplin's masterful drama about the twilight of a former vaudeville star is among the writer-director's most touching films. Dinter, 547 West 27th Street, (212)947-2818, through Oct. (Johnson). HEARTLESS BASTARDS, WE ARE WOLVES (Tonight) Because of her primal yowl, the southern Ohio singer and guitarist Erika Wennerstrom is often compared to Robert Plant and Polly Harvey. There, he befriends a young woman whose father has gone missing; as he tries to help her find him, he becomes entangled in a web of corruption and a series of tragic twists of fate.
Based on a story by Amir Naderi, who also cowrote the film, this slice of a fourteen-year-old boy's life follows his efforts to fend for himself in the big city, working as a tea server and assistant in a photographer's studio, running errands, and, briefly, exchanging glances with a pretty middle-class girl. Q&As with Ellie Ga on Oct. 7 & 8. This time, he's in Miami and will do whatever it takes to save the life of a young boy who's been kidnapped and injected with a deadly contagious virus. White_ is both a dark comedy about the economic inequalities of Eastern and Western Europe and a reverie about twisted love. The resulting film is a respectful and determinedly nonpartisan portrait of regular guys -- the smart and the average, the blusterers and the introverts, the gung-ho and the conflicted -- all doing their best to carry out orders in an untenable situation. M., Italian Academy, 1161 Amsterdam Avenue at 118th Street, Manhattan, (212)854-1623; $12; students and seniors, $5.
Rafael's fondest dream is to be floor manager; when his archrival for the position, Don Antonio (Luis Varela), is accidentally killed in a scuffle in the dressing room, Rafael's world begins to unravel. 'PROOF' (PG-13, 100 minutes) A terribly serious adaptation of David Auburn's prize-laden Broadway play, starring Gwyneth Paltrow as the daughter of a dead mathematician struggling to come to terms with both her father's legacy and her own troubled mind. 'CHAIN' (No rating, 99 minutes) Jem Cohen's sad, lyrical evocation of the homogeneity of the global landscape views it through the eyes of two young women: a Japanese corporate functionary researching theme parks in the United States and a glum temp worker eking out a living in shopping malls and motels. M., and 12:30 a. m., Smoke, 2751 Broadway, at 106th Street, Manhattan, (212)864-6662; cover, $25, minimum, $10. Márta Mészáros' follow-up to Diary for My Children picks up the story of teenage Juli (Zsuzsa Czinkóczi), the director's alter-ego, as she defies the wishes of her Stalinist aunt (Anna Polony) and leaves Hungary in order to pursue her dream of becoming a filmmaker in Moscow. Premiere · Q&A with Davy Chou and Park Ji-Min on Oct. 13. This epic portrait of an inexorable fall from grace, starring the astounding Kinuyo Tanaka as an imperial lady-in-waiting who gradually descends to street prostitution, was the movie that gained the director international attention, ushering in a new golden period for him. Georgia Theater Company. It immerses us in two enormous, endlessly fascinating narratives: the history of painting and the history of Russia itself, forming a remarkable tribute to the endurance of the medium and the country, and the inescapable interconnectedness of art and life. With a radical take on narrative, disturbing yet beautiful cinematography, and a highly sophisticated use of on- and offscreen sound, Martel turns her tale of a decaying bourgeois family, whiling away the hours of one sweaty, sticky summer, into a cinematic marvel. NYFF's showcase of the season's most anticipated and significant films. A tender and humorous look at a young woman's journey from the first pangs of romance to its inevitable disappointments, _Loves of a Blonde_ immediately became a classic of the Czech New Wave and earned Milos Forman the first of his Academy Award nominations.
A cornerstone of the career of this most economical and profoundly spiritual of filmmakers, Pickpocket is an elegantly crafted, tautly choreographed study of humanity in all its mischief and grace, the work of a director at the height of his powers. Tomorrow's lineup on Staten Island includes the Killers, the New York Dolls, Interpol and British Sea Power, along with Tegan and Sara. The hungry stomp of her power trio, Heartless Bastards, is heavy enough for classic rockers and post-ironic enough for hipsters looking for bar band sincerity. In _Blue, _ Lena confronts issues of religion, sexuality, and the prison system, while at the same time exploring her own relationships. Jean-Pierre Léaud returns in the third installment in the Antoine Doinel series. 'THE EXORCISM OF EMILY ROSE' (PG-13, 114 minutes) If you must see only one demonic-possession courtroom drama this year, wait for the next one. A husband, a wife, a stranger, a knife: Roman Polanski sets them all adrift on a weekend filled with simmering resentments and gut-churning suspense in his seminal psychological thriller, still one of the greatest feature debuts in film history. Main Street Theaters. Its members play music specific to Veracruz -- from the lolling huasteco to the more rapid Southern jarocho -- as well as other Latin American styles. Shimizu's exquisite silent drama tells of the humiliating social downfall experienced by Sunako after jealousy drives her to commit a terrible crime. Wry and tender, Jirí Menzel's Academy Award-winning _Closely Watched Trains_ is a masterpiece of human observation. North American Premiere of New 4K Restoration · Q&A with Françoise Lebrun and restoration producer Charles Gillibert on Oct. 5 & Intro by Françoise Lebrun on Oct. 6.
Premiere Cinema Corp. 'I'M A CHILD OF DIVORCE GIMME A BREAK' The clear leader for best title of the moment. Zero hour edition" won the Toyota Choreography Award in Japan.
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How does this effect the reliability of our vehicle? Non-standard options or features may be represented.