Narrator: When Zora Neale Hurston arrived at Mason's Park Avenue penthouse on December 8, 1927 she was presented with a one-year contract. What you see in the Harlem Renaissance is that people are very intentional in understanding what it means to write about and represent culture, and Black culture, in particular. Half of a yellow sun streaming vostfr complet. It was the strangest & most thrilling thing. Carla Kaplan, Literary Scholar: It wasn't just that Zora Neale Hurston lost a meal ticket. I know where to look and how. They're the same thing. Even the women folks would stop and break a breath with them at times…I'd drag out my leaving as long as possible in order to hear more…to allow whatever was being said to hang in my ear.
Carla Kaplan, Literary Scholar: Once she was done with something, or someone, often she was completely done, and she couldn't look back. María Eugenia Cotera, Modern Thought Scholar: There is a complex positionality that Hurston had to adopt in order to do what she wanted to do. So the first week of January, 1925, found me in New York with $1. A Raisin in the Sun streaming: where to watch online. But she remained committed to exploring and documenting Black lives. Though she captured twenty-four minutes of Lewis with her camera, it was her extensive, detailed notes of his memories and speech that were the priority for Hurston and her anthropological research.
Narrator: "I had to prove that I was their kind, " Hurston recalled. That they had no past; they had no future. Participant observation required that you kind of immerse yourself in another culture in order to understand it from the inside out. Half of a yellow sun streaming vostfr.com. Irma Mcclaurin, Anthropologist: Zora's autobiography is complex. Narrator: These scientists, later referred to as "armchair anthropologists, " formed their theories and the foundations of the discipline based on the biased writings of colonizers— explorers, missionaries, travelers and military men. And as I understand she was the only African American woman there. Mama died at sundown and changed a world.
Narrator: "You have taken me in. Zora (VO): I was careful to do my classwork and be worthy to stand there under the shadow of the hovering spirit of Howard. You feel like she's coming around full circle. At the time, this was a revolutionary, and as Ruth Benedict would have put it, an "undisciplined" way of doing social science.
But she's still connected to Boas, and she still wants to stay in Papa Franz's good graces. Lee D. Baker, Anthropologist: He was one of the first people that took living with indigenous people seriously. In 1939 she released another novel and took a job teaching theater at North Carolina College for Negroes. Zora had her own ideas. For the first time since childhood, Hurston would be able to focus on being a student. Narrator: From Alabama, Hurston headed off to Florida where men worked at felling pine trees, manning sawmill camps, boiling turpentine and mining phosphate. They played it well too. Half of a yellow sun streaming vostfr episode. It would be like trying to get a shooting star into a mason jar. Narrator: As a child, Zora Neale Hurston possessed a keen interest in the stories she heard about people's lives and customs while lingering at Joe Clark's general story in Eatonville, Florida, one of a handful of all-Black towns in the United States. Narrator: Hurston's assignment: collect data on Black southerners—including their practices, beliefs, dances and storytelling ways.
Tiffany Ruby Patterson, Historian: Black people are suspicious, I think. Zora (VO): I am being trained for Anthropometry and to do measuring. And that's what she does, she joins in with them. He has modified the language, mode of food preparation, practice of medicine, and most certainly the religion of his new country. This idea that you are objective, when you go, and observe and participate in these cultures, is really a misnomer. Narrator: Most reviews were mixed or negative. Daphne Lamothe, Literary Scholar: Black people understood themselves to be creators of culture and art and literature, and make important contributions to how American society understood, thought about and related to Black people in America. Tiffany Ruby Patterson, Historian: It's a musical world. Zora (VO): Darling Godmother, At last "Barracoon" is ready for your eyes.
She had some biting lines about the United States and the role of freedom abroad versus freedom here. He gave me a good going over. Narrator: The book with its strong sales validated the significance of her anthropological study, but success still did not translate into funding for her continued fieldwork. Whatever song he starts if it has a fast rhythm then they work fast and if it's a slow one well they work you know a little slower but they get just as much work done singing somehow or another. Narrator: "Papa Franz" wrote, "On the whole her methods are more journalistic than scientific and I am not under the impression that she is just the right caliber for a Guggenheim Fellowship. " Did Franz Boas consider her lack of a Ph. She's thinking of how to take this data that she's collecting as part of her formal research and then translate it into a form that is then going to be accessible to the people she got it from originally. Bootleggers always have cars. Carla Kaplan, Literary Scholar: Hurston worked across many different disciplines, many different fields, many different kinds of artistry. Eve Dunbar, Literary Scholar: She wants to remedy, to a certain extent, the sensationalism that Americans are consuming Haitian culture and voodoo. She left us her vision of the legitimacy of Black people as a people, as a culture.