Koop, Stuart, Beep Crackle: Contemporary art from the middle of nowhere, Institute of Modern Art, Sydney, 2008, pp. Liverpool Biennale: International 2002, Tate Liverpool, Liverpool, England. 50, Summer 2002/2003, p. 47. Jon Wood & Julia Kelly / Nato Thompson, Contemporary Sculpture, Cragg Foundation, 2019, pp 215-217.
Rhodes, Kate, Patricia Piccinini's Desert Rider (Mountain), Art Bulletin of Victoria, Australia, No 44, 2004, pp. Clabburn, Anna, There's Something in Nothing Natural, Mesh, no. Anonda Bell, Mirror Mirror, Paul Robeson Galleries, Rutgers Uni, 2018, pp. Smith, Jason, Sandman: Patricia Piccinini (exhibition catalogue), National Gallery of Victoria, Melbourne, 2002. The Persistence of Pop, Monash University Gallery, Melbourne, Australia. Rowell, Amanda, Autoerotic (exhibition catalogue), Roslyn Oxley9 Gallery, Sydney, 2002. Adelaide Biennale of Australian Art, Art Gallery of South Australia, Adelaide, Australia. Welschen, Fred, Living Apart Together (exhibition catalogue), Odapark Venray, 2005. Jaklyn Babington, Know My Name, NGA, 2021, p. Lucy doll and penelope kay adams. 11. All the Better to See you with, Fairy Tales Transformed, Ian Potter Gallery, Universty of Melbourne, Parkville, Australia. Ming Turner, Post - Humanist Desire, Museum of Contemp. The Touch of Another, Warrnambool Art Gallery, Warrnambool, Australia. Alternative Realities tour, University of Science and Technology, Hong Kong, China. Jeon Hyesook, Post Human, SACK, Seol, Korea, 2015, pp.
Love Me Love My Lump, Monash Centre and Dryphoto Gallery, Prato, Italy. Clabburn, Anna, Baby Trucks Dump on Mass Consumption, The Age, 18-Mar-1999, Arts p. 17. Relativity, Galway International Arts Festival Gallery, Galway, Ireland. Lady penelope doll to buy. Project Genesis, Ars Electronica, Linz, Austria. Slade, Lisa, Strange Cargo (exhibition catalogue), Newcastle Region Art Gallery, 2006, p. 6, 8, 13, 52, 53. Tiernas) Criaturas/(tender) Creatures, Artium, Vitoria-Gasteiz, Spain.
Toffoletti, Kim, Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body, I. Geczy, Adam, Australian Perspecta, Eyeline, no. David Walsh, On the Origin of Art, Museum of Old & New Art, 2016, p. 453-461. Lucy doll and penelope kay. James, Bruce, I'll have what she's having, The Sydney Morning Herald, 03-Feb-2000, Arts p. 12. The poet Elma Mitchell was also an undergraduate here in 1938-194, and we can count award-winning biographers Victoria Glendinning and Hilary Spurling amongst our alumni. Andrea Virginas, Acta Universitatis Sapientiae, Sapientia Hungarian Uni of Transylvania Scientific Publishing House, Vol 8, 2014, pp.
Abdulmecid Kosku / Omer Koc, Pulsanti aperietur, MAS Matbaacilik San ve Tic A. S., 2017, pp. Jane O'Sullivan, Beyond the Border, Australian Financial Review, 42430, pp. Hickson, Patricia, Hug or Run?, Hug: Recent Work By Patricia Piccinini, 2007. 2nd Asian Art Biennale, National Taiwan Museum of Fine Arts, Taipei, Taiwan. Möet & Chandon Touring Exhibition, Art Gallery of New South Wales, Sydney, Australia. Evolution, Tasmanian Museum and Art Gallery, Hobart, Australia. Smallenburg, Sandra, Beeldende Kunst, NRC Handelsblad, 39934, p. 8. Nanjo Fumio, The Universe and Art, Mori Art Museum, Tokyo, 2016, p. 126. Nature vs Nurture, FaMa Gallery, Verona, Italy. Australian Print Workshop - Maggie Finch, New Australian Printmaking - Intimate Lines, NGV, 2022, pp. Hoffman, Frank, Report from Kwangju: Monoculture and its Discontents, Art in America, Nov-00, p. 74.
Gwangju Biennale, Gwangju City Art Museum, Gwangju, Korea. The Future's Not What It Used To Be, Newlyn Art Gallery and The Exchange, Newlyn, England. Hennessey, Peter, Patricia Piccinini: Indivisibles (exhibition brochure), The Basement Project, Melbourne, 1994. The Melbourne Magazine, Fitzroy Series - CCP, The Age, 40756, p 72. Antipodean Stories, PAC Padiglione d'Arte Contemporanea, Milano, Italy. Natasha Bullock, MCA Collections, Museum of Contemporary Art, Sydney, p. 292-293. Takamado, Her Highness, the Princess, Transcripts of Lectures, Osaka University of Arts, 2008, pp. Israel, Glenis, Essential Art, Jacaranda, 2007, pp.
The Vehbi Koç Foundation, Istanbul, Turkey. Figure It Out, Hudson Valley Center for Contemporary Art, Peekskill, USA. Crawford, Ashley, Contemporary Australian Art, An Odd Creature from Down Under, Art and Australia ARCO insert, Vol 37, no. Hennessey, Peter, Essay in 'Sacred and Profane' (exhibition catalogue), 1998 Adelaide Festival Visual Arts Program, 1998. Deborah Robinson, The Nature of the Beast (Exhibition Catalogue), The New Art Gallery Walsall, 2012. On the Origin of Art, MONA (Musuem of Old and New Art), Hobart, Australia.